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Love, music and coronavirus
Love, music and coronavirus
All responses to an epidemic crisis are political. At the beginning of February 2020, at the heart of the coronavirus epidemic in Wuhan, the authoritarian Chinese regime massively broadcast the humanitarian song “Believe Love Will Win”. The stated aim of the song was to emotionally support those engaged in the fight against the Covid-19 epidemic, presenting them as heroes of the Chinese nation. However, the making and broadcasting of a humanitarian song means that politics has failed. What is the reason for this? Humanitarian songs have an important place in the depoliticization of responses to crises, constructing representations and shaping official narratives. The songs and the discourses that accompany them conceal the historical and geopolitical depth of humanitarian crises by transforming political issues into moral questions.
- Université Paris Diderot France
China, [SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts, Music and Emotions, Music and Politics, Humanitarian songs, Covid-19, Music and Propaganda, [SHS.HIST]Humanities and Social Sciences/History, [SHS.SCIPO]Humanities and Social Sciences/Political science
China, [SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts, Music and Emotions, Music and Politics, Humanitarian songs, Covid-19, Music and Propaganda, [SHS.HIST]Humanities and Social Sciences/History, [SHS.SCIPO]Humanities and Social Sciences/Political science
citations This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).0 popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.Average influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).Average impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.Average citations This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).0 popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.Average influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).Average impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.Average
Citations provided by BIP!Popularity provided by BIP!- Université Paris Diderot France
All responses to an epidemic crisis are political. At the beginning of February 2020, at the heart of the coronavirus epidemic in Wuhan, the authoritarian Chinese regime massively broadcast the humanitarian song “Believe Love Will Win”. The stated aim of the song was to emotionally support those engaged in the fight against the Covid-19 epidemic, presenting them as heroes of the Chinese nation. However, the making and broadcasting of a humanitarian song means that politics has failed. What is the reason for this? Humanitarian songs have an important place in the depoliticization of responses to crises, constructing representations and shaping official narratives. The songs and the discourses that accompany them conceal the historical and geopolitical depth of humanitarian crises by transforming political issues into moral questions.