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  • COVID-19
  • 2017-2021
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: France, devenu maître de conférences en; Harari-Kermadec, Hugo; lutte, collectif « Etrangèr-es et division internationale du travail scientifique » de la coordination des Facs et labos en; lutte, Six militantes du comité de mobilisation national des Facs et labos en; +5 Authors

    2020 a été une année particulière à bien des égards : le Covid-19, mais aussi la forte mobilisation contre la loi de programmation de la recherche en France, y compris au sein des revues de sciences humaines et sociales qui ont été nombreuses à se positionner en lutte. Tracés, comme d’autres revues, s’est déclarée en grève puis a repris ses activités au cours d’un printemps pas comme les autres… C’est dans ces conditions qu’est adoptée l’idée de chambouler notre calendrier, de changer la thématique prévue pour ce numéro. Il nous importait de faire un numéro mobilisé qui rende compte de ce qui s’est joué au cours de cette année inhabituelle. Et puisqu’il n’était pas possible dans cette temporalité de fabriquer des articles comme nous le faisions habituellement, l’enjeu est devenu précisément de penser et de faire un pas de côté par rapport à nos manières de faire, et par rapport aux contenus mêmes qui sont les nôtres. Documenter, c’est faire ce pas de côté aussi comme manière de refuser une course à l’excellence qui nous demande de produire plus et plus vite, et dans un système d’évaluation toujours plus global et complexe. Plus qu’une autocritique, ce numéro suggère de se repositionner au sein d’un processus temporel scientifique dans une nécessaire et salutaire lenteur, et donc de prêter plus d’attention à la matière des sciences humaines et sociales, ainsi qu’à la fabrique de ses écritures. 2020 was a special year in many ways: Covid-19, but also the strong mobilization against the Research Programming Law in France, including within humanities and social science journals, many of which have positioned themselves in the fight. Tracés, like other journals, declared itself on strike and then resumed its activities during a spring like no other... It is under these conditions that the idea was adopted to turn our calendar upside down, to change the theme planned for this issue. It was important for us to make a mobilized issue that would report on what happened during this unusual year. And since it was not possible in this temporality to produce articles as we usually did, the challenge became precisely to think and to take a step aside in relation to our ways of doing things, and in relation to the very contents that are ours. Documenting is also taking this step aside as a way of refusing a race for excellence that requires us to produce more and faster, and in an increasingly global and complex evaluation system. More than a self-criticism, this issue suggests repositioning ourselves within a scientific temporal process in a necessary and salutary slowness, and thus paying more attention to the subject of human and social sciences, as well as to the making of its writings.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ OpenEditionarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    OpenEdition
    Other ORP type . 2021
    Data sources: OpenEdition
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ OpenEditionarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      OpenEdition
      Other ORP type . 2021
      Data sources: OpenEdition
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The following results are related to COVID-19. Are you interested to view more results? Visit OpenAIRE - Explore.
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: France, devenu maître de conférences en; Harari-Kermadec, Hugo; lutte, collectif « Etrangèr-es et division internationale du travail scientifique » de la coordination des Facs et labos en; lutte, Six militantes du comité de mobilisation national des Facs et labos en; +5 Authors

    2020 a été une année particulière à bien des égards : le Covid-19, mais aussi la forte mobilisation contre la loi de programmation de la recherche en France, y compris au sein des revues de sciences humaines et sociales qui ont été nombreuses à se positionner en lutte. Tracés, comme d’autres revues, s’est déclarée en grève puis a repris ses activités au cours d’un printemps pas comme les autres… C’est dans ces conditions qu’est adoptée l’idée de chambouler notre calendrier, de changer la thématique prévue pour ce numéro. Il nous importait de faire un numéro mobilisé qui rende compte de ce qui s’est joué au cours de cette année inhabituelle. Et puisqu’il n’était pas possible dans cette temporalité de fabriquer des articles comme nous le faisions habituellement, l’enjeu est devenu précisément de penser et de faire un pas de côté par rapport à nos manières de faire, et par rapport aux contenus mêmes qui sont les nôtres. Documenter, c’est faire ce pas de côté aussi comme manière de refuser une course à l’excellence qui nous demande de produire plus et plus vite, et dans un système d’évaluation toujours plus global et complexe. Plus qu’une autocritique, ce numéro suggère de se repositionner au sein d’un processus temporel scientifique dans une nécessaire et salutaire lenteur, et donc de prêter plus d’attention à la matière des sciences humaines et sociales, ainsi qu’à la fabrique de ses écritures. 2020 was a special year in many ways: Covid-19, but also the strong mobilization against the Research Programming Law in France, including within humanities and social science journals, many of which have positioned themselves in the fight. Tracés, like other journals, declared itself on strike and then resumed its activities during a spring like no other... It is under these conditions that the idea was adopted to turn our calendar upside down, to change the theme planned for this issue. It was important for us to make a mobilized issue that would report on what happened during this unusual year. And since it was not possible in this temporality to produce articles as we usually did, the challenge became precisely to think and to take a step aside in relation to our ways of doing things, and in relation to the very contents that are ours. Documenting is also taking this step aside as a way of refusing a race for excellence that requires us to produce more and faster, and in an increasingly global and complex evaluation system. More than a self-criticism, this issue suggests repositioning ourselves within a scientific temporal process in a necessary and salutary slowness, and thus paying more attention to the subject of human and social sciences, as well as to the making of its writings.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ OpenEditionarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    OpenEdition
    Other ORP type . 2021
    Data sources: OpenEdition
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ OpenEditionarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      OpenEdition
      Other ORP type . 2021
      Data sources: OpenEdition
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