Advanced search in Research products
Research products
arrow_drop_down
Searching FieldsTerms
Any field
arrow_drop_down
includes
arrow_drop_down
The following results are related to Digital Humanities and Cultural Heritage. Are you interested to view more results? Visit OpenAIRE - Explore.

  • Digital Humanities and Cultural Heritage
  • Publications
  • Research data
  • Other research products
  • French
  • Mémoires en Sciences de l'Informati...
  • Hyper Article en Ligne - Sciences d...
  • Hyper Article en Ligne

Relevance
arrow_drop_down
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Roy-Marracci, Véronique;

    Au XVIIIème siècle, la "Correspondance littéraire" est un périodique manuscrit et clandestin exclusivement destiné à un petit cercle de princes européens qui se prétendent éclairés. Ces nouvelles à la main sur l’actualité culturelle parisienne offrent un témoignage exceptionnel sur la représentation du statut social et idéologique de l’intellectuel et sur les rapports qu’il peut entretenir avec la théorie de l’absolutisme éclairé.À une époque où le journalisme devient un métier à part entière, la Correspondance littéraire évoque fréquemment les conditions de sa production, explicite ses choix éditoriaux. Au fil des articles, les évocations du lecteur révèlent aussi qu’un des enjeux est de tendre aux illustres abonnés un miroir reflétant la perception de leur image, de leur pays et de leur politique dans l’élite de la société parisienne ou dans l’actualité littéraire.Au crépuscule des Lumières, lorsque les grandes figures de la philosophie disparaissent et que le bilan de l’absolutisme éclairé s’avère plutôt mitigé, comment la Correspondance littéraire évoque-t-elle les révolutions de 1776 et surtout de 1789 ? Comment préserve-t-elle son identité de périodique littéraire des princes dans cette période confusion du politique et du culturel ? In the XVIIIth century, the "Correspondance littéraire" was a handwritten secret periodical intended for a small group of European monarchs who considered themselves to be enlightened. It contained the latest news and information on French literary publications and Parisian cultural events and trends.As such, it presents a unique view of the social and ideological position of intellectuals during that period, and their attitude towards the theory of enlightened absolutism.The reader is implicitly involved in the text as the periodical strives to reflect both the image of its subscribers, as well as current political and social upheavals in a subtle but revealing way.As the great philosophers of the enlightenment died (Rousseau, Voltaire, Diderot), enlightened absolutism fell into decline and could no longer be considered as a viable political solution, how could the "Correspondance littéraire" portray the American War of Independence and the French Revolution?

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hyper Article en Ligne
    Other literature type . 1999
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Hyper Article en Ligne
      Other literature type . 1999
  • Authors: Vernus, Pierre; Fraboulet, Danièle; Humair, Cédric;
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
  • Authors: Buob, Marc-Olivier; Mathieu, Fabien;

    International audience; Searching for documents is a task that everyone faces on a regular basis, especially when looking for a relevant Internet page, an e-mail, or a document on an Intranet. An effective search relies on a precise and well-organized search engine.The majority of current techniques combine a keyword search with structural information (ontologies, relationships between elements) in order to order the documents in a corpus by relevance.In this article, we present a new navigation engine called Gismo (Generic Information Search with a Mind of its Own). Gismo exploits only the textual content of documents and does not require ontology, metadata, or prelearning. It is thus possible to use it on any corpus without making assumptions about the type of documents or their language. The model chosen and the algorithms used allow Gismo to be extremely fast even on large corpora. Finally, Gismo allows you to find, sort and organize documents by theme and relevance, making it an navigation engine and not a simple search engine.; La recherche de documents (pages Web, courriels, fichiers Intranet\...) est une tâche à laquelle tout un chacun est confronté régulièrement. Une recherche efficace repose sur un moteur de recherche précis et bien organisé.La majorité des techniques actuelles combinent une recherche par mots-clés à des informations structurelles (ontologies, relations entre éléments) afin de classer les documents d'un corpus par pertinence.Nous présentons dans cet article un nouveau moteur de navigation, appelé Gismo (Generic Information Search with a Mind of its Own). Gismo exploite uniquement le contenu textuel des documents et ne nécessite ni ontologie, ni méta-données, ni pré-apprentissage. Il est ainsi possible de l'utiliser sur n'importe quel corpus sans faire d'hypothèse sur le type ou la langue des documents. Le modèle choisi et les algorithmes utilisés permettent à Gismo d'être extrêmement rapide même sur des grands corpus. Gismo permet de trouver, trier et organiser les documents par thème et par pertinence, ce qui en fait un moteur de navigation et non un simple moteur de recherche.

    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Routhier, Élisabeth;

    La disparition est-elle un événement? Une fin? Une figure? Chez l’écrivain français Patrick Modiano, il semble qu’elle prenne plutôt la forme d’une invitation, d’un point de départ pour une écriture-quête se faufilant dans les mailles de la médiation. Le lien inextricable entre la disparition et la médiation est effectivement à la base de cette analyse de « Dora Bruder », roman dont l’ouverture est particulièrement riche pour penser le geste d’écriture d’un point de vue intermédial. Après avoir présenté « Dora Bruder » comme l’espace d’une écriture-quête performative qui répond à un désir d’immédiateté, j’exposerai certains dispositifs traduisant une éthique de la remédiation. La question de la mémoire, inévitable, traverse à la fois l’écriture de Modiano et la mienne. Une mémoire protéiforme et dynamisée par l’auteur-narrateur. What exactly do we mean by “disappearance”? Is it an event? A figure? The end of an existence? For Patrick Modiano, disapearance is rather a starting point for an act of writing that slips through a sum of mediations. The inextricable link between disappearance and (re)mediation is in fact the basis upon which I build my analysis of “Dora Bruder”’s opening pages from an intermedial stance. Ethical remediation and performativity will be the core concepts to analyse Modiano’s writing through the lens of disappearance.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ DOAJ-Articlesarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    DOAJ-Articles
    Article . 2017
    Data sources: DOAJ-Articles
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    DOAJ
    Article . 2017
    Data sources: DOAJ
    addClaim

    This Research product is the result of merged Research products in OpenAIRE.

    You have already added works in your ORCID record related to the merged Research product.
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ DOAJ-Articlesarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      DOAJ-Articles
      Article . 2017
      Data sources: DOAJ-Articles
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      DOAJ
      Article . 2017
      Data sources: DOAJ
      addClaim

      This Research product is the result of merged Research products in OpenAIRE.

      You have already added works in your ORCID record related to the merged Research product.
  • Authors: MÜLLER CELKA, Sylvie;

    Des vestiges mésohelladiques sont apparus jusqu'ici dans deux secteurs d'Erétrie (Eubée centrale), d'une part sous l'agora de la cité classique, dans une zone qui devait se situer sur le rivage à l’âge du Bronze, d'autre part au sommet de l'acropole. Alors que le premier a été abandonné dès le début de l’HM, le second semble n’avoir été occupé que pendant la deuxième moitié ou même seulement à la fin de la période. Ce constat pose la question de savoir s’il y a bien une lacune dans l’occupation du site et, si oui, pourquoi les habitants se sont déplacés. Dans ce cadre, les rapports entre Erétrie et ses voisines Lefkandi et Amarynthos sont aussi à prendre en considération. International audience

    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Pelaudeix, Cecile;

    Relying on extensive field work, both in remote Arctic communities and outpost camps, and inside Canadian art collections, Cecile Pelaudeix's book presents a critical analysis of the Western perception of Inuit art, the theoretical assumptions underlying art history and anthropology discourse, and proposes a renewed interpretation of Kenojuak Ashevak's work (1959-2002), as well as a new understanding of contemporary Inuit art works at large. The author accords art work a deep meaning by revealing, in a wide range of Inuit art works, an expression of the Inuit soul, an "intensity of being" named tarniq for human beings, which is used to affirm a specific identity, in particular when it comes to feminine works. The method relies mainly on Aby Warburg's iconology. Cecile Pelaudeix shows the limits of a model of linear temporality where cultural time and natural time artificially coincide, arguing that such a model does not allow for a convincing articulation of art and history - as Panofsky had proven - and demonstrates the pertinence of an approach that refers to a heterogeneous conception of time. In a first part, the author shows that the process of analyzing, marketing, and displaying Inuit prints reproduce the western motif of the origin and death of art, familiar to modernism. In a second part, the author examines the relation between cultural time and historical time before relying on Warburg's concept of Nachleben and the anthropological definition of sources, to focus on Kenojuak Ashevak's work. Pelaudeix reveals the meaning of beauty in Kenojuak's works, and shows how the artist's prints are anchored in an Inuit shared vision of the world as well as in the innovative way she promotes the Inuit feminine world and explores deeply the dynamic notions of duality, duel and duos. The third part of the book addresses the question of singularity and diversity in art history: the author extends the method to the analysis of other Inuit artists' work. The book concludes on the relevance of the method in understanding what Féneon called "les arts lointains" ("remote arts"), their singularity which cannot be reduced to a fantasized essentialism, and allows for a new approach to art history, a reconfiguration of its own artistic geography.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hyper Article en Ligne
    Other literature type . 2007
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Hyper Article en Ligne
      Other literature type . 2007
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Marguin, Séverine;

    L’analyse des temporalités des carrières d’artistes plasticiens permet de mettre en évidence la normalisation du parcours professionnel des artistes sur celui du modèle en entreprise. La valorisation de la jeunesse, à la fois par les acteurs institutionnels publics mais également par les acteurs privés du milieu de l’art contemporain, à travers l’émergence de la catégorie taxinomique de «jeune artiste», a conduit à l’instauration rigide de prescriptions temporelles, s’articulant autour du moment charnière des quarante ans : les artistes doivent avoir pu exploiter leur potentiel de création jusqu’à cet âge, au risque sinon de tomber dans l’oubli. Quelles stratégies les artistes mettent-ils en place pour composer avec cette norme en terme d’âge? The analysis of the temporalities of visual artists' paths highlights a normalization of artists' career on the basis of the model found in firms. The valorization of youth both by institutional public actors as well as individual actors from the contemporary art scene can be observed with regard to the rise of the taxonomical category of "youth artist". This has led to a rigid establishment of temporal prescriptions on forty years of age as a turning point: artists should have achieved their full creative potential until this age in order not to fall in oblivion. What kind of strategies do the artists appropriate in order to cope with this ageist norm?

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ OpenEdition; Sociolo...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    DOAJ
    Article . 2013
    Data sources: DOAJ
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
  • Authors: Monnier, Alexandre; Nicolas, Théophane; Peake, Rebecca; Roscio, Mafalda;

    International audience

    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
  • Authors: Chevalier, Jean-Pierre;

    Beetween 1940 and 1945, French school geography underwent remarkable upheavals. These were partially rooted in pre-war didactic reflexions and partially the result of political circumtances. As earlu as 1940, the Vichy regime mobilized the teaching og geography to serve its ideology: the school geography curriculum was revised in order to spread the ideas of the "National Revolution" and the number of hours taught increased. It was under these circumstances that Emmanuel de Martonne obtained the creation of an "agrégation" of geography distinct from the "agrégation" of history; the first session was organised at the Liberation. While the Vichy curriculum was them rapidly repealed after 1945 geography retained the official number of hours equal to those of history. The teaching of this subject appeared to come throught these dramatic years stronger than before.; Entre 1940 et 1945, la géographie scolaire française connaît des bouleversements remarquables. Ils sont pour partie issus des réflexions pédagogiques d'avant-guerre et pour partie le fruit des circonstances politiques. Dès 1940, le régime de Vichy mobilise l'enseignement de la géographie au service de son idéologie : les programmes scolaires de géographie sont revus pour diffuser les idées de la « Révolution nationale » et les horaires d'enseignement sont augmentés. C'est dans ce contexte qu'Emmanuel de Martonne obtient la création d'une agrégation de géographie, distincte de l'agrégation d'histoire ; le premier concours a lieu à la Libération. Si les programmes scolaires de Vichy sont ensuite rapidement abrogés, l'enseignement de la géographie conserve après 1945 un horaire officiel égal à celui de l'histoire. L'enseignement apparaît renforcé au sortir de ces années dramatiques.

    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
  • Authors: Rygiel, Philippe;

    International audience; Most local archives centers offered webbased services in 2004 in France. However they differed greatly in the volume an type of ressources avalaible to the public throught internet. We conclude that local dynamics deeply conditionned the way new possibilities were incorporated by institutions; Nous décrivons ici les services offerts par les sites des archives départementales françaises à l'été 2004.Ceux-ci témoignent de la diversité des processus d'appropriation locaux.

    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
Advanced search in Research products
Research products
arrow_drop_down
Searching FieldsTerms
Any field
arrow_drop_down
includes
arrow_drop_down
The following results are related to Digital Humanities and Cultural Heritage. Are you interested to view more results? Visit OpenAIRE - Explore.
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Roy-Marracci, Véronique;

    Au XVIIIème siècle, la "Correspondance littéraire" est un périodique manuscrit et clandestin exclusivement destiné à un petit cercle de princes européens qui se prétendent éclairés. Ces nouvelles à la main sur l’actualité culturelle parisienne offrent un témoignage exceptionnel sur la représentation du statut social et idéologique de l’intellectuel et sur les rapports qu’il peut entretenir avec la théorie de l’absolutisme éclairé.À une époque où le journalisme devient un métier à part entière, la Correspondance littéraire évoque fréquemment les conditions de sa production, explicite ses choix éditoriaux. Au fil des articles, les évocations du lecteur révèlent aussi qu’un des enjeux est de tendre aux illustres abonnés un miroir reflétant la perception de leur image, de leur pays et de leur politique dans l’élite de la société parisienne ou dans l’actualité littéraire.Au crépuscule des Lumières, lorsque les grandes figures de la philosophie disparaissent et que le bilan de l’absolutisme éclairé s’avère plutôt mitigé, comment la Correspondance littéraire évoque-t-elle les révolutions de 1776 et surtout de 1789 ? Comment préserve-t-elle son identité de périodique littéraire des princes dans cette période confusion du politique et du culturel ? In the XVIIIth century, the "Correspondance littéraire" was a handwritten secret periodical intended for a small group of European monarchs who considered themselves to be enlightened. It contained the latest news and information on French literary publications and Parisian cultural events and trends.As such, it presents a unique view of the social and ideological position of intellectuals during that period, and their attitude towards the theory of enlightened absolutism.The reader is implicitly involved in the text as the periodical strives to reflect both the image of its subscribers, as well as current political and social upheavals in a subtle but revealing way.As the great philosophers of the enlightenment died (Rousseau, Voltaire, Diderot), enlightened absolutism fell into decline and could no longer be considered as a viable political solution, how could the "Correspondance littéraire" portray the American War of Independence and the French Revolution?

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hyper Article en Ligne
    Other literature type . 1999
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Hyper Article en Ligne
      Other literature type . 1999
  • Authors: Vernus, Pierre; Fraboulet, Danièle; Humair, Cédric;
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
  • Authors: Buob, Marc-Olivier; Mathieu, Fabien;

    International audience; Searching for documents is a task that everyone faces on a regular basis, especially when looking for a relevant Internet page, an e-mail, or a document on an Intranet. An effective search relies on a precise and well-organized search engine.The majority of current techniques combine a keyword search with structural information (ontologies, relationships between elements) in order to order the documents in a corpus by relevance.In this article, we present a new navigation engine called Gismo (Generic Information Search with a Mind of its Own). Gismo exploits only the textual content of documents and does not require ontology, metadata, or prelearning. It is thus possible to use it on any corpus without making assumptions about the type of documents or their language. The model chosen and the algorithms used allow Gismo to be extremely fast even on large corpora. Finally, Gismo allows you to find, sort and organize documents by theme and relevance, making it an navigation engine and not a simple search engine.; La recherche de documents (pages Web, courriels, fichiers Intranet\...) est une tâche à laquelle tout un chacun est confronté régulièrement. Une recherche efficace repose sur un moteur de recherche précis et bien organisé.La majorité des techniques actuelles combinent une recherche par mots-clés à des informations structurelles (ontologies, relations entre éléments) afin de classer les documents d'un corpus par pertinence.Nous présentons dans cet article un nouveau moteur de navigation, appelé Gismo (Generic Information Search with a Mind of its Own). Gismo exploite uniquement le contenu textuel des documents et ne nécessite ni ontologie, ni méta-données, ni pré-apprentissage. Il est ainsi possible de l'utiliser sur n'importe quel corpus sans faire d'hypothèse sur le type ou la langue des documents. Le modèle choisi et les algorithmes utilisés permettent à Gismo d'être extrêmement rapide même sur des grands corpus. Gismo permet de trouver, trier et organiser les documents par thème et par pertinence, ce qui en fait un moteur de navigation et non un simple moteur de recherche.

    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Routhier, Élisabeth;

    La disparition est-elle un événement? Une fin? Une figure? Chez l’écrivain français Patrick Modiano, il semble qu’elle prenne plutôt la forme d’une invitation, d’un point de départ pour une écriture-quête se faufilant dans les mailles de la médiation. Le lien inextricable entre la disparition et la médiation est effectivement à la base de cette analyse de « Dora Bruder », roman dont l’ouverture est particulièrement riche pour penser le geste d’écriture d’un point de vue intermédial. Après avoir présenté « Dora Bruder » comme l’espace d’une écriture-quête performative qui répond à un désir d’immédiateté, j’exposerai certains dispositifs traduisant une éthique de la remédiation. La question de la mémoire, inévitable, traverse à la fois l’écriture de Modiano et la mienne. Une mémoire protéiforme et dynamisée par l’auteur-narrateur. What exactly do we mean by “disappearance”? Is it an event? A figure? The end of an existence? For Patrick Modiano, disapearance is rather a starting point for an act of writing that slips through a sum of mediations. The inextricable link between disappearance and (re)mediation is in fact the basis upon which I build my analysis of “Dora Bruder”’s opening pages from an intermedial stance. Ethical remediation and performativity will be the core concepts to analyse Modiano’s writing through the lens of disappearance.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ DOAJ-Articlesarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    DOAJ-Articles
    Article . 2017
    Data sources: DOAJ-Articles
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    DOAJ
    Article . 2017
    Data sources: DOAJ
    addClaim

    This Research product is the result of merged Research products in OpenAIRE.

    You have already added works in your ORCID record related to the merged Research product.
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ DOAJ-Articlesarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      DOAJ-Articles
      Article . 2017
      Data sources: DOAJ-Articles
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      DOAJ
      Article . 2017
      Data sources: DOAJ
      addClaim

      This Research product is the result of merged Research products in OpenAIRE.

      You have already added works in your ORCID record related to the merged Research product.
  • Authors: MÜLLER CELKA, Sylvie;

    Des vestiges mésohelladiques sont apparus jusqu'ici dans deux secteurs d'Erétrie (Eubée centrale), d'une part sous l'agora de la cité classique, dans une zone qui devait se situer sur le rivage à l’âge du Bronze, d'autre part au sommet de l'acropole. Alors que le premier a été abandonné dès le début de l’HM, le second semble n’avoir été occupé que pendant la deuxième moitié ou même seulement à la fin de la période. Ce constat pose la question de savoir s’il y a bien une lacune dans l’occupation du site et, si oui, pourquoi les habitants se sont déplacés. Dans ce cadre, les rapports entre Erétrie et ses voisines Lefkandi et Amarynthos sont aussi à prendre en considération. International audience

    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Pelaudeix, Cecile;

    Relying on extensive field work, both in remote Arctic communities and outpost camps, and inside Canadian art collections, Cecile Pelaudeix's book presents a critical analysis of the Western perception of Inuit art, the theoretical assumptions underlying art history and anthropology discourse, and proposes a renewed interpretation of Kenojuak Ashevak's work (1959-2002), as well as a new understanding of contemporary Inuit art works at large. The author accords art work a deep meaning by revealing, in a wide range of Inuit art works, an expression of the Inuit soul, an "intensity of being" named tarniq for human beings, which is used to affirm a specific identity, in particular when it comes to feminine works. The method relies mainly on Aby Warburg's iconology. Cecile Pelaudeix shows the limits of a model of linear temporality where cultural time and natural time artificially coincide, arguing that such a model does not allow for a convincing articulation of art and history - as Panofsky had proven - and demonstrates the pertinence of an approach that refers to a heterogeneous conception of time. In a first part, the author shows that the process of analyzing, marketing, and displaying Inuit prints reproduce the western motif of the origin and death of art, familiar to modernism. In a second part, the author examines the relation between cultural time and historical time before relying on Warburg's concept of Nachleben and the anthropological definition of sources, to focus on Kenojuak Ashevak's work. Pelaudeix reveals the meaning of beauty in Kenojuak's works, and shows how the artist's prints are anchored in an Inuit shared vision of the world as well as in the innovative way she promotes the Inuit feminine world and explores deeply the dynamic notions of duality, duel and duos. The third part of the book addresses the question of singularity and diversity in art history: the author extends the method to the analysis of other Inuit artists' work. The book concludes on the relevance of the method in understanding what Féneon called "les arts lointains" ("remote arts"), their singularity which cannot be reduced to a fantasized essentialism, and allows for a new approach to art history, a reconfiguration of its own artistic geography.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hyper Article en Ligne
    Other literature type . 2007
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Hyper Article en Ligne
      Other literature type . 2007
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Marguin, Séverine;

    L’analyse des temporalités des carrières d’artistes plasticiens permet de mettre en évidence la normalisation du parcours professionnel des artistes sur celui du modèle en entreprise. La valorisation de la jeunesse, à la fois par les acteurs institutionnels publics mais également par les acteurs privés du milieu de l’art contemporain, à travers l’émergence de la catégorie taxinomique de «jeune artiste», a conduit à l’instauration rigide de prescriptions temporelles, s’articulant autour du moment charnière des quarante ans : les artistes doivent avoir pu exploiter leur potentiel de création jusqu’à cet âge, au risque sinon de tomber dans l’oubli. Quelles stratégies les artistes mettent-ils en place pour composer avec cette norme en terme d’âge? The analysis of the temporalities of visual artists' paths highlights a normalization of artists' career on the basis of the model found in firms. The valorization of youth both by institutional public actors as well as individual actors from the contemporary art scene can be observed with regard to the rise of the taxonomical category of "youth artist". This has led to a rigid establishment of temporal prescriptions on forty years of age as a turning point: artists should have achieved their full creative potential until this age in order not to fall in oblivion. What kind of strategies do the artists appropriate in order to cope with this ageist norm?

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ OpenEdition; Sociolo...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    DOAJ
    Article . 2013
    Data sources: DOAJ
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
  • Authors: Monnier, Alexandre; Nicolas, Théophane; Peake, Rebecca; Roscio, Mafalda;

    International audience

    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
  • Authors: Chevalier, Jean-Pierre;

    Beetween 1940 and 1945, French school geography underwent remarkable upheavals. These were partially rooted in pre-war didactic reflexions and partially the result of political circumtances. As earlu as 1940, the Vichy regime mobilized the teaching og geography to serve its ideology: the school geography curriculum was revised in order to spread the ideas of the "National Revolution" and the number of hours taught increased. It was under these circumstances that Emmanuel de Martonne obtained the creation of an "agrégation" of geography distinct from the "agrégation" of history; the first session was organised at the Liberation. While the Vichy curriculum was them rapidly repealed after 1945 geography retained the official number of hours equal to those of history. The teaching of this subject appeared to come throught these dramatic years stronger than before.; Entre 1940 et 1945, la géographie scolaire française connaît des bouleversements remarquables. Ils sont pour partie issus des réflexions pédagogiques d'avant-guerre et pour partie le fruit des circonstances politiques. Dès 1940, le régime de Vichy mobilise l'enseignement de la géographie au service de son idéologie : les programmes scolaires de géographie sont revus pour diffuser les idées de la « Révolution nationale » et les horaires d'enseignement sont augmentés. C'est dans ce contexte qu'Emmanuel de Martonne obtient la création d'une agrégation de géographie, distincte de l'agrégation d'histoire ; le premier concours a lieu à la Libération. Si les programmes scolaires de Vichy sont ensuite rapidement abrogés, l'enseignement de la géographie conserve après 1945 un horaire officiel égal à celui de l'histoire. L'enseignement apparaît renforcé au sortir de ces années dramatiques.

    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
  • Authors: Rygiel, Philippe;

    International audience; Most local archives centers offered webbased services in 2004 in France. However they differed greatly in the volume an type of ressources avalaible to the public throught internet. We conclude that local dynamics deeply conditionned the way new possibilities were incorporated by institutions; Nous décrivons ici les services offerts par les sites des archives départementales françaises à l'été 2004.Ceux-ci témoignent de la diversité des processus d'appropriation locaux.

    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert