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358 Research products

  • COVID-19
  • 2019-2023
  • Open Access
  • French
  • Hal-Diderot
  • Hyper Article en Ligne - Sciences de l'Homme et de la Société
  • HAL - UPEC / UPEM
  • HAL-Lyon 3
  • Publikationer från Stockholms universitet
  • COVID-19

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Martin, Elise; Rapegno, Noémie;

    International audience; L’article revient sur la façon dont a été vécu le premier confinement dans deux établissements accueillant des personnes en situation de handicap, l’un situé en Île-de-France et l’autre en Lozère. Le confinement - qui s’apparente à un verrouillage des deux structures - est venu freiner le processus d’inclusion sociale des personnes en situation de handicap puisque la protection des personnes (fermeture, aseptisation des lieux, réagencements spatiaux) a pris le pas sur les autres missions d’accompagnement. Nous montrerons néanmoins que les professionnels ont tenté de protéger les résidents du virus tout en préservant les activités et les contacts entre l’intérieur et l’extérieur

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ OpenEditionarrow_drop_down
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    OpenEdition
    Article . 2022
    Data sources: OpenEdition
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    OpenEdition
    Article . 2022
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    HAL-Rennes 1
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ OpenEditionarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      OpenEdition
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      Data sources: OpenEdition
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      OpenEdition
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      HAL-Rennes 1
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      Data sources: HAL-Rennes 1
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Jon, Danie;

    Communication Doctoriales ARPEGE 2022; National audience; Dans le cadre d'une thèse CIFRE sur le travail dans les bureaux conçus sur le modèle du Flex-Office-Bureaux offrant une gamme diversifiée d'espaces de travail sans postes attribués-notre analyse vise à saisir les effets d'un tel modèle spatial et organisationnel sur le travail de ceux qui le vivent au quotidien. Le contexte contemporain à la crise pandémique de la Covid-19, a accentué le phénomène de transformation des espaces tertiaires vers ce modèle. Le travail de thèse s'appuie sur un retour d'expérience réalisé au sein d'une entreprise ayant opté pour le modèle du Flex-office pour héberger ses équipes de travail suite à une fusion. Nous posons alors la question de l'impact du Flex-Office du point de vue du travail individuel, mais aussi collectif. Le travail de thèse engagé est structuré autour de trois axes : le Travail De Bureau, celui de la tâche, le Travail Au Bureau, celui de l'activité, dans l'expérience du travail au quotidien dans ces nouvelles organisations spatiales, et le Travail Hors Bureau, relié au travail au bureau, mais qui déborde de l'unité spatiale et temporelle des murs de l'entreprise. La question des ressources et des contraintes rencontrées dans le travail dans le modèle spatial et organisationnel du Flex-Office est abordée. Le Flex-Office conduit en effet à la reconfiguration du travail dans sa dimension individuelle, mais aussi dans la construction du collectif. Il est proposé ici de traiter du premier axe, celui du Travail De Bureau, les deux autres axes étant en cours d'élaboration.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hyper Article en Ligne
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    HAL-ENS-LYON; HAL-Lyon 3
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Hyper Article en Ligne
      Other literature type . 2022
      HAL-ENS-LYON; HAL-Lyon 3
      Conference object . 2022
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Azouaghe, Soufian; Boua, Mohamed; Khadoui, Ahmed; El Bardouni, Abdelaziz; +1 Authors

    Malgré les mesures prises par les autorités publiques marocaines pour contrer la propagation de la Covid-19, force est de constater que la population manifeste des comportements inadaptés avec des degrés variables de prise de risque. Dans ce cadre, le présent article vise à examiner l’effet des caractéristiques sociodémographiques (i.e., sexe, niveau d’étude) et des moyens de communication (i.e., réseaux sociaux, site du Ministère de la Santé, journaux électroniques, télévision) sur les comportements d’autoprotection face à cette pandémie. Pour ce faire, nous avons entrepris une étude en ligne au moyen de questionnaire auprès de 390 participants. Conformément à nos hypothèses, les résultats montrent que les femmes s’engagent plus que les hommes dans les comportements de protection. Il en est de même pour les utilisateurs des moyens de communication susmentionnés, à l’exception de la télévision, et ce, comparativement aux non utilisateurs. Les résultats sont discutés à l’instar des travaux antérieurs. Les limites et les perspectives de la recherche sont aussi mentionnées. Despite measures taken by Moroccan public authorities to overcome the spreading of Covid-19 virus, it appears that people manifest inappropriate behaviors, which reflect different degrees of risk behaviors. In this context, the purpose of this paper is to examine the effect of socio-demographic characteristics (i.e, sex, level of study) and means of communication (e.g, social networks, website of the Ministry of health, newspapers online and television) on self-protective behavior to face the pandemic Covid-19. Sample of this study consists of 390 participants, who have completed an online questionnaire. Our results are consistent with our assumptions. They showed that women are more engaged than men in self-protective behavior. The same results have been shown for the users of the means of communication, except television, compared to non-users. All findings are discussed on the basis of previous works. The limits of the study and research perspectives are mentioned as well.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Fastrez, Pierre; Féroc Dumez, Isabelle; Loicq, Marlène;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ HAL UPECarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    HAL UPEC
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ HAL UPECarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      HAL UPEC
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      HAL UPEC
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      Report . 2022
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Fastrez, Pierre; Dumez-Féroc, Isabelle; Loicq, Marlène;

    Ce rapport s’appuie sur les résultats du projet "Kids’ Digital lives in Covid-19 Times(KiDiCoTi)", mené par le Centre commun de recherche de la Commission européenne (JointResearch Center - JRC) en collaboration avec l'UNICEF et de différents centres oulaboratoires de recherche européens des pays participants. L'objectif de l’étude KiDiCoTiest de comprendre comment les enfants, les jeunes et leurs parents s'engagent dans latechnologie numérique, et d'identifier les avantages et les risques potentiels associés àleurs usages numériques connectés, pendant la période de confinement liée au Covid-19du printemps 2020, en comparaison avec les usages qui étaient les leurs avant cettepériode.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ HAL - UPEC / UPEM; H...arrow_drop_down
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    HAL - UPEC / UPEM; HAL UPEC
    Other literature type . Report . 2022
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ HAL - UPEC / UPEM; H...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      HAL - UPEC / UPEM; HAL UPEC
      Other literature type . Report . 2022
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Mignot-Gérard, Stéphanie; Musselin, Christine; Waltzing, Aline; Balaudé, Aliénor; +22 Authors
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ HAL UPECarrow_drop_down
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    HAL UPEC
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ HAL UPECarrow_drop_down
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      HAL UPEC
      Other literature type . 2022
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Örenius, Ksenia;

    The purpose of this study is to analyze why The Plague of Albert Camus sparked the interest of readers after the beginning of COVID-19 pandemic. The study first shows that this renewed interest is detectable in various statistics that show a correlation with the actual health situation. In order to reflect upon whether this phenomenon could be linked to this novel’s status as a “classic”, the classification of Italo Calvino of a classic work serves as a reading grid to explore articles and scientific studies about The Plague. Following this method, the study suggests that there is likely a link between the rise of interest for this novel during the COVID-19 pandemic and its canonical status. 

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från S...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från S...arrow_drop_down
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    Authors: Benoist, Sandrine;

    La crise sanitaire inédite que nous avons traversée a mis en lumière une catégorie singulière de femmes et d’hommes : les travailleuses et les travailleurs essentiels (Lazar et al., 2020). Parmi ces acteurs, les agricultrices et agriculteurs occupent une place à part. En effet, les tensions observées à l’occasion du premier confinement ont mis en lumière la centralité de leur travail, entre enjeux de souveraineté productive (Cohen, 2020 ; De Boissieu, 2020 ; Dumont, 2020 ; Gaillard, 2020), place d’une offre alimentaire de proximité, accessible et disponible (Neveu, 2020 ; Rastoin, 2020) et défis environnementaux. Le Covid-19 a mis notre société face aux limites d’un modèle agricole productiviste et intensif devenu obsolète, et dans ce contexte, les agricultrices et agriculteurs biologiques constituent une population intéressante à plusieurs titres. Si elle jouit d’une perception sociale globalement positive et a bénéficié du regain d’intérêt des consommateurs (FranceAgriMer, 2020), elle n’est pas exempte de critiques, telles le supposé impossible accès à tous (rareté) et pour tous (cherté) de ses produits (Kressman, 2021). L’analyse du discours de ces acteurs engagés met en lumière des tensions de rôle (Katz et Kahn, 1966 ; Perrot, 2000 ; Djabi et Perrot, 2016 ; Arras-Djabi et al., 2021) nombreuses, nous invitant à réfléchir à l’agriculture que nous voulons à l’aube d’une société post-covid. Elle interroge aussi nos attentes et nos paradoxes à l’égard des agricultrices et agriculteurs biologiques. The unprecedented health crisis we have been through has highlighted a unique category of women and men: essential workers (Lazar et al., 2020). Among these actors, farmers occupy a special place. Indeed, the tensions observed during the first lockdown highlighted the centrality of their work, between issues of productive sovereignty (Cohen, 2020; De Boissieu, 2020; Dumont, 2020; Gaillard, 2020), place of a local food offer, accessible and available (Neveu, 2020; Rastoin, 2020) and environmental challenges. Covid-19 has put our society in front of the limits of a productivist and intensive agricultural model that has become obsolete, and in this context, organic farmers are an interesting population for several reasons. While it enjoys a generally positive social perception and has benefited from renewed consumer interest (FranceAgriMer, 2020), it is not free from criticism, such as the supposed impossible access to all (scarcity) and for all (high cost) of its products (Kressman, 2021). The analysis of the discourse of these committed actors highlights many role strain (Katz and Kahn, 1966; Perrot, 2000; Djabi and Perrot, 2016; Arras-Djabi and al., 2021), inviting us to consider the agriculture we want at the dawn of a post-covid society. It also questions our expectations and paradoxes of organic farmers.

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    Authors: Garel, Gilles;

    International audience

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    Authors: Patricia, Pâme; Cazemajou, Anne; Jean-Marc, Josset;
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    Authors: Martin, Elise; Rapegno, Noémie;

    International audience; L’article revient sur la façon dont a été vécu le premier confinement dans deux établissements accueillant des personnes en situation de handicap, l’un situé en Île-de-France et l’autre en Lozère. Le confinement - qui s’apparente à un verrouillage des deux structures - est venu freiner le processus d’inclusion sociale des personnes en situation de handicap puisque la protection des personnes (fermeture, aseptisation des lieux, réagencements spatiaux) a pris le pas sur les autres missions d’accompagnement. Nous montrerons néanmoins que les professionnels ont tenté de protéger les résidents du virus tout en préservant les activités et les contacts entre l’intérieur et l’extérieur

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    Authors: Jon, Danie;

    Communication Doctoriales ARPEGE 2022; National audience; Dans le cadre d'une thèse CIFRE sur le travail dans les bureaux conçus sur le modèle du Flex-Office-Bureaux offrant une gamme diversifiée d'espaces de travail sans postes attribués-notre analyse vise à saisir les effets d'un tel modèle spatial et organisationnel sur le travail de ceux qui le vivent au quotidien. Le contexte contemporain à la crise pandémique de la Covid-19, a accentué le phénomène de transformation des espaces tertiaires vers ce modèle. Le travail de thèse s'appuie sur un retour d'expérience réalisé au sein d'une entreprise ayant opté pour le modèle du Flex-office pour héberger ses équipes de travail suite à une fusion. Nous posons alors la question de l'impact du Flex-Office du point de vue du travail individuel, mais aussi collectif. Le travail de thèse engagé est structuré autour de trois axes : le Travail De Bureau, celui de la tâche, le Travail Au Bureau, celui de l'activité, dans l'expérience du travail au quotidien dans ces nouvelles organisations spatiales, et le Travail Hors Bureau, relié au travail au bureau, mais qui déborde de l'unité spatiale et temporelle des murs de l'entreprise. La question des ressources et des contraintes rencontrées dans le travail dans le modèle spatial et organisationnel du Flex-Office est abordée. Le Flex-Office conduit en effet à la reconfiguration du travail dans sa dimension individuelle, mais aussi dans la construction du collectif. Il est proposé ici de traiter du premier axe, celui du Travail De Bureau, les deux autres axes étant en cours d'élaboration.

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    Authors: Azouaghe, Soufian; Boua, Mohamed; Khadoui, Ahmed; El Bardouni, Abdelaziz; +1 Authors

    Malgré les mesures prises par les autorités publiques marocaines pour contrer la propagation de la Covid-19, force est de constater que la population manifeste des comportements inadaptés avec des degrés variables de prise de risque. Dans ce cadre, le présent article vise à examiner l’effet des caractéristiques sociodémographiques (i.e., sexe, niveau d’étude) et des moyens de communication (i.e., réseaux sociaux, site du Ministère de la Santé, journaux électroniques, télévision) sur les comportements d’autoprotection face à cette pandémie. Pour ce faire, nous avons entrepris une étude en ligne au moyen de questionnaire auprès de 390 participants. Conformément à nos hypothèses, les résultats montrent que les femmes s’engagent plus que les hommes dans les comportements de protection. Il en est de même pour les utilisateurs des moyens de communication susmentionnés, à l’exception de la télévision, et ce, comparativement aux non utilisateurs. Les résultats sont discutés à l’instar des travaux antérieurs. Les limites et les perspectives de la recherche sont aussi mentionnées. Despite measures taken by Moroccan public authorities to overcome the spreading of Covid-19 virus, it appears that people manifest inappropriate behaviors, which reflect different degrees of risk behaviors. In this context, the purpose of this paper is to examine the effect of socio-demographic characteristics (i.e, sex, level of study) and means of communication (e.g, social networks, website of the Ministry of health, newspapers online and television) on self-protective behavior to face the pandemic Covid-19. Sample of this study consists of 390 participants, who have completed an online questionnaire. Our results are consistent with our assumptions. They showed that women are more engaged than men in self-protective behavior. The same results have been shown for the users of the means of communication, except television, compared to non-users. All findings are discussed on the basis of previous works. The limits of the study and research perspectives are mentioned as well.

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    Authors: Fastrez, Pierre; Féroc Dumez, Isabelle; Loicq, Marlène;
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    Authors: Fastrez, Pierre; Dumez-Féroc, Isabelle; Loicq, Marlène;

    Ce rapport s’appuie sur les résultats du projet "Kids’ Digital lives in Covid-19 Times(KiDiCoTi)", mené par le Centre commun de recherche de la Commission européenne (JointResearch Center - JRC) en collaboration avec l'UNICEF et de différents centres oulaboratoires de recherche européens des pays participants. L'objectif de l’étude KiDiCoTiest de comprendre comment les enfants, les jeunes et leurs parents s'engagent dans latechnologie numérique, et d'identifier les avantages et les risques potentiels associés àleurs usages numériques connectés, pendant la période de confinement liée au Covid-19du printemps 2020, en comparaison avec les usages qui étaient les leurs avant cettepériode.

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    Authors: Mignot-Gérard, Stéphanie; Musselin, Christine; Waltzing, Aline; Balaudé, Aliénor; +22 Authors
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    Authors: Örenius, Ksenia;

    The purpose of this study is to analyze why The Plague of Albert Camus sparked the interest of readers after the beginning of COVID-19 pandemic. The study first shows that this renewed interest is detectable in various statistics that show a correlation with the actual health situation. In order to reflect upon whether this phenomenon could be linked to this novel’s status as a “classic”, the classification of Italo Calvino of a classic work serves as a reading grid to explore articles and scientific studies about The Plague. Following this method, the study suggests that there is likely a link between the rise of interest for this novel during the COVID-19 pandemic and its canonical status. 

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    Authors: Benoist, Sandrine;

    La crise sanitaire inédite que nous avons traversée a mis en lumière une catégorie singulière de femmes et d’hommes : les travailleuses et les travailleurs essentiels (Lazar et al., 2020). Parmi ces acteurs, les agricultrices et agriculteurs occupent une place à part. En effet, les tensions observées à l’occasion du premier confinement ont mis en lumière la centralité de leur travail, entre enjeux de souveraineté productive (Cohen, 2020 ; De Boissieu, 2020 ; Dumont, 2020 ; Gaillard, 2020), place d’une offre alimentaire de proximité, accessible et disponible (Neveu, 2020 ; Rastoin, 2020) et défis environnementaux. Le Covid-19 a mis notre société face aux limites d’un modèle agricole productiviste et intensif devenu obsolète, et dans ce contexte, les agricultrices et agriculteurs biologiques constituent une population intéressante à plusieurs titres. Si elle jouit d’une perception sociale globalement positive et a bénéficié du regain d’intérêt des consommateurs (FranceAgriMer, 2020), elle n’est pas exempte de critiques, telles le supposé impossible accès à tous (rareté) et pour tous (cherté) de ses produits (Kressman, 2021). L’analyse du discours de ces acteurs engagés met en lumière des tensions de rôle (Katz et Kahn, 1966 ; Perrot, 2000 ; Djabi et Perrot, 2016 ; Arras-Djabi et al., 2021) nombreuses, nous invitant à réfléchir à l’agriculture que nous voulons à l’aube d’une société post-covid. Elle interroge aussi nos attentes et nos paradoxes à l’égard des agricultrices et agriculteurs biologiques. The unprecedented health crisis we have been through has highlighted a unique category of women and men: essential workers (Lazar et al., 2020). Among these actors, farmers occupy a special place. Indeed, the tensions observed during the first lockdown highlighted the centrality of their work, between issues of productive sovereignty (Cohen, 2020; De Boissieu, 2020; Dumont, 2020; Gaillard, 2020), place of a local food offer, accessible and available (Neveu, 2020; Rastoin, 2020) and environmental challenges. Covid-19 has put our society in front of the limits of a productivist and intensive agricultural model that has become obsolete, and in this context, organic farmers are an interesting population for several reasons. While it enjoys a generally positive social perception and has benefited from renewed consumer interest (FranceAgriMer, 2020), it is not free from criticism, such as the supposed impossible access to all (scarcity) and for all (high cost) of its products (Kressman, 2021). The analysis of the discourse of these committed actors highlights many role strain (Katz and Kahn, 1966; Perrot, 2000; Djabi and Perrot, 2016; Arras-Djabi and al., 2021), inviting us to consider the agriculture we want at the dawn of a post-covid society. It also questions our expectations and paradoxes of organic farmers.

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    Authors: Garel, Gilles;

    International audience

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