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36 Research products

  • COVID-19
  • 2019-2023
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Barth, Theodor;

    Flyer set of 6 (1 HEX): #01—attempt; #02—try again; #03—do something else, #04—return; #05—unlearn; #06—crossover. By moving sideways, this flyer series (1HEX), queries the possibility of “terrestrial” mapping (Bruno Latour) as a contemporary bid on Ethics. The series proposes—moving crabwise—an query of Baruch Spinoza’s notion of substance, from a vantage point of furniture. More specifically, Bjørn Jørund Blikstad’s PhD project ‘level up’. The flyers explore the potential of disjuncture and exchange between writing and making, theory and practice, cabinet and wardrobe (exploring the latter in their potential as theoretical actants). The flyer-set is a complex result of a journey with Bjørn Jørund Blikstad to Tørberget—the place of his family-origins in Trysil—where his parents, Elisabeth and Vidar, currently reside. A region where bears and wolves still thrive, and given to experiments in living. It was implicit that this journey (June 5th-7th 2021) would be our new ground zero. Also in the sense of providing a fresh start—after Covid 19—from the queries in a number of other flyer sets (HEX) on KHiODA, enfolded. Concluding with a reflection from resilience in the archive. Though the query is devoted to design—in the relation between art and craft—the final flyer (#06) is devoted to resilience and the archive: featuring an illustration, with credits given to the National Library, included this year in the Catalogue of Art & Craft, This is partly due to the occasional teaching I do with Prof. Jan Pettersson in his printmaking class. And partly owing to engagements this year with the Dpt. of images, conservation and special prints at the National Library archive this year. Theory, in this way it is explored here—as theory development—is at once discrete and conjoint, in a methodological framework conversing not only with Spinoza, but with Agamben’s ideas on animality and signatures. With a bid on art as a ‘first theory’. A key-stone for the query featuring in this set is Bjørn Jørund Blikstad’s research on Renaissance artist Tilman Riemenschneider, which resulted in our coining a glossary of a phenomenon—the Riemenschneider effect—featuring the tangle of the crafts(wo)man, the artist and the designer.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ KHIODA; Norwegian Op...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ KHIODA; Norwegian Op...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Lainščak, Mitja; Šustić, Alan; Benes, Jan; Czuczwar, Miroslav; +11 Authors

    SepsEast is an enthusiastic intensivists group initiative launched in 2012, with the aim to facilitate clinical and research activities in the region. Through its actions and with the motto « Together we win, divided we are slow! » several joint research projects in the fields of perioperative medicine, fluid therapy, cardiovascular monitoring and support have been conducted. In the light of the COVID- 19 pandemic, the SepsEast community is aware of its mission and is ready to take the challenge. This is mirrored by several educational, clinical and research activities including the development of a COVID-19 Registry ; and an observational clinical study on cytokine adsorption in COVID-19 patients. The current pandemic should be our lesson on how to manage the global threat of infectious disease and to develop strategies for effective diagnostic and therapeutic procedures. Hopefully, the SepsEast community will contribute to these developments and scientific advances in general.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repository of the Un...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repository of the Un...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Štrkolec, Miroslav; Baláži, Filip; Vartašová, Anna; Priateľová, Natália;

    Tento zborník vedeckých prác prezentuje príspevky, z medzinárodnej vedeckej konferencie „V. SLOVENSKO-ČESKÉ DNI DAŇOVÉHO PRÁVA: Daňové právo a nové javy v ekonomike", ktorá sa konala v dňoch 5. a 6. júna 2023 v priestoroch Právnickej fakulty Univerzity Pavla Jozefa Šafárika v Košiciach a bol podporený Vedeckou a grantovou agentúrou v rámci projektu APVV-19-0124 „Daňové právo a nové javy v ekonomike (digitálne služby, zdieľaná ekonomika, virtuálne meny)". Jednotlivé príspevky sú zamerané na riešenie aktuálnych otázok daňového práva v kontexte nových javov v ekonomike. Autori sa v príspevkoch venujú najmä digitalizácii a z nej vyplývajúcim výzvam pre daňové právo, najmä špecifickým problémom týkajúcim sa kryptoaktív, digitálnej dane a technológií, no tiež zdieľanej ekonomike a jej daňovým dopadom. Pozornosť je venovaná aj vybraným mimoriadnym opatreniam prijatým vo finančnej oblasti v reakcii na pandémiu COVID-19 a aplikačným problémom, ktoré, vznikli alebo môžu vzniknúť, pri ich realizácii v aplikačnej praxi. Autori sa v príspevkoch venujú problematickým aspektom skúmanej problematiky a vo vzťahu k nim formulujú hodnotiace úsudky, vlastné názory a možné návrhy v rovine de lege ferenda.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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    ZENODO
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    License: CC BY NC ND
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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      ZENODO
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Holden, Steinar; Wulfsberg, Fredrik;

    Vi bruker en ISPK-modell til å analysere effekter av pandemien på norsk økonomi og hvilke implikasjoner dette har for penge- og finanspolitikk. Smitteverntiltak og frykt for smitte har gitt en dramatisk nedgang i potensielt BNP som ikke skal motvirkes av øko-nomisk politikk. Penge- eller finanspolitikk bør motvirke andre etterspørsels- og kost-nadssjokk som er utløst av covid-19 og erstatte inntektsbortfall til de som er berørt.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ODA Open Digital Arc...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ODA Open Digital Arc...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Hangoma, Peter;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ CMI Open Research Ar...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ CMI Open Research Ar...arrow_drop_down
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    Authors: Barth, Theodor;

    [WALKABOUT: click file NAVIGATION EXHIBIT] Though the title of this series is #exhibitions, none of the elements in the flyer-series deals with exhibition in plain and non-perturbed sense. The source of perturbation is the Corona/Covid-19 pandemic—evidently—but provides the occasion to investigate forms of collective viewing, in a range of detail that under “normal” circumstances would have been backgrounded/marginal. The forms of display that have emerged during the pandemic, though broadly resonating with the idea and function of exhibits, still have lacked one/more essential features regularly associated with ‘publicness’. Events gathering subaltern crowds–whether in or outdoors–tuned to a range of meanings/phenomena that would readily eschew the public attention under “normal” circumstances. Such as sightings, disappearances, trans local connections, monsters (teratology), ephemeral bodies and books. All of which are articulated from concrete displays in art and design, featuring what has been previously called a ‘learning theatre’. WORKS discussed: #01—Evergreen Corona (directed by Nicolai Fontain) #02—First significant, First Reflection, First Find (print & drawing, Enrique Guadarrama Solis, Galleri Seilduken) #03—Pristine-urban transactions (walk by Theodor Barth) #04—The Peacock Cabinet (Bjørn Jørund Blikstad) #05—Everyday Miniature (video-diary by Katarina Caspersen) #06—Time has fallen asleep in the afternoon sunshine (directed by Mette Edvardsen)

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ KHIODA; Norwegian Op...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ KHIODA; Norwegian Op...arrow_drop_down
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    Authors: Stub, Trine; Kristoffersen, Agnete Egilsdatter;

    Source at https://nafkam.no/pagaende-forskning-forskeren-forteller/konsekvenser-av-pandemien-alternative-behandlere-og-deres. I mars 2020 bestemte norske myndigheter seg for å stenge ned landet for å hindre spredning av COVID-19 viruset. Denne nedstengingen resulterte i at mange helsearbeidere måtte stenge praksisen eller imøtekomme et krav om to meters avstand mellom pasient og behandler og konsultasjoner på maksimum 15 minutter. Dette gjaldt også de alternative behandlerne. I samarbeid med 35 bransjeorganisasjoner sendte vi ut en spørreundersøkelse til 2215 alternative behandlere ved begynnelsen av pandemien (mars-mai 2020). Vi ville undersøke hvordan deres finansielle situasjon, pasientkonsultasjoner, og synet på fremtiden ble påvirket av pandemien og hvilke råd de gav pasientene sine for å holde seg frisk.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Munin - Open Researc...arrow_drop_down
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    Authors: Haraldsen, Anna Kari; Skari, Lars-Amund;

    Djurvälfärd hos matproducerande djur har ett stort nationellt och globalt fokus och är något som konsumenter bryr sig om och efterfrågar. Djurvälfärd är ett komplext begrepp med utmaningar både i det dagliga arbetet med skötsel av djur och vad gäller identifiering, registrering, analys och uppföljning. Förutom den lagstiftning om djurvälfärd som finns på plats både på EU nivå och nationellt i Norge, har olika internationella organisationer integrerat djurvälfärd i sina policys och standarder. Där presenterar de sina kriterier eller variabler för att mäta djurvälfärd. Flera av dessa variabler har sedan flera år tillbaks registrerats i Norge, något som bidragit till att norska TINE, lanserat en djurvälfärdsindikator för att kunna arbeta med djurvälfärd både på besättningsnivå och i större nationell skala. I arbetet om TINEs djurvälfärdsindikator och kalvskötsel hos ett urval av norska mjölkproducenter på Östlandet, undersöker vi skillnader i kalvskötsel, på plats i besättningarna, hos besättningar som placerar sig högt respektive lågt på TINEs delindikator för kalv. Vi har med hjälp av strukturerade registreringar och provtagning, jämfört kalvskötsel inklusive råmjölkstilldelning i dessa besättningar. Vi tror att en eventuell skillnad mellan kalvskötsel syns lättare i praktiken när vi jämför dessa två grupper än om vi söker skillnader hos besättningar som ligger i centrum av normalfördelningen. Arbetet utfördes i en tid av Covid-19 pandemi och lockdown av samhället vilket gjorde att vi fått ett litet dataunderlag. Trots detta ser vi tendenser till skillnader i kalvskötseln mellan de besättningar som placerar sig högt respektive lågt på TINEs delindikator för kalv. De besättningar som placerar sig lågt på TINEs delindikator för kalv har i vår studie större utfordringar kopplat till kalvvälfärd än de som placerar sig högt. Vi har sett kalvar med sämre immunstatus i denna grupp och vi har uppmärksammat en skötselfaktor där de förlitar sig oftare på kalvens aptit när det gäller mängd råmjölk första dygn. Vi har noterat att ute i besättningarna, är aptitfodring inte det samma som fri tillgång på mjölk. Kalvarna erbjuds mjölk på flaska och får dricka så mycket mjölk de önskar, men detta är begränsat till utfodringstillfället. Om kalven vill dricka, får den dricka så mycket mjölk den önskar. Om den inte vill dricka vid utfodringstillfället, måste den inte dricka mjölken. Hos dessa besättningar som placerar sig lågt på indikatorn, får kalvarna också i större utsträckning mindre mängd mjölk och mjölk fördelat på färre ransoner under sin första levnadsvecka än de besättningar som placerar sig högt på indikatorn. Detta är en pilotstudie som visar att det kan vara nyttigt att använda dessa registreringar som ett supplement till indikatorn, för att få ett bättre intryck av djurvälfärd hos kalvar. VET

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    Authors: Cordeiro, Cheryl Marie;
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    Authors: Evjen, Sunniva; Colbjørnsen, Terje; Bøyum, Idunn; Tallerås, Kim; +1 Authors

    As the Covid-19 pandemic hit the world and Norway in 2020, libraries were among the institutions that were impacted. The social mission of libraries to stay open and offer services, cultural experiences and reliable information was put under pressure. In this article we depart from a survey of 843 library workers across public, academic, special, and school libraries in Norway. The survey was conducted in June-August 2020 and contains quantitative and qualitative data on how library workers experienced lockdown and the responses from libraries. The article addresses how the Covid-19 crisis impacted libraries’ social missions and what circumstances contribute to crisis management in Norwegian libraries. We use institutional theories on isomorphism and institutional pressures, as well as general theories on crisis management, to analyse the material. We conclude that the pandemic has shown the potential of digital library services, but also find that closed library premises strongly influenced how libraries were able to fulfil their social missions. Our findings also indicate the need for a sectorial leadership in times of crisis. In our discussion, we describe a situation where structures and plans to manage situations of crises are lacking. For libraries to be part of society’s democratic infrastructure, their roles and social missions need to be considered in crisis management plans.

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36 Research products
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Barth, Theodor;

    Flyer set of 6 (1 HEX): #01—attempt; #02—try again; #03—do something else, #04—return; #05—unlearn; #06—crossover. By moving sideways, this flyer series (1HEX), queries the possibility of “terrestrial” mapping (Bruno Latour) as a contemporary bid on Ethics. The series proposes—moving crabwise—an query of Baruch Spinoza’s notion of substance, from a vantage point of furniture. More specifically, Bjørn Jørund Blikstad’s PhD project ‘level up’. The flyers explore the potential of disjuncture and exchange between writing and making, theory and practice, cabinet and wardrobe (exploring the latter in their potential as theoretical actants). The flyer-set is a complex result of a journey with Bjørn Jørund Blikstad to Tørberget—the place of his family-origins in Trysil—where his parents, Elisabeth and Vidar, currently reside. A region where bears and wolves still thrive, and given to experiments in living. It was implicit that this journey (June 5th-7th 2021) would be our new ground zero. Also in the sense of providing a fresh start—after Covid 19—from the queries in a number of other flyer sets (HEX) on KHiODA, enfolded. Concluding with a reflection from resilience in the archive. Though the query is devoted to design—in the relation between art and craft—the final flyer (#06) is devoted to resilience and the archive: featuring an illustration, with credits given to the National Library, included this year in the Catalogue of Art & Craft, This is partly due to the occasional teaching I do with Prof. Jan Pettersson in his printmaking class. And partly owing to engagements this year with the Dpt. of images, conservation and special prints at the National Library archive this year. Theory, in this way it is explored here—as theory development—is at once discrete and conjoint, in a methodological framework conversing not only with Spinoza, but with Agamben’s ideas on animality and signatures. With a bid on art as a ‘first theory’. A key-stone for the query featuring in this set is Bjørn Jørund Blikstad’s research on Renaissance artist Tilman Riemenschneider, which resulted in our coining a glossary of a phenomenon—the Riemenschneider effect—featuring the tangle of the crafts(wo)man, the artist and the designer.

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    Authors: Lainščak, Mitja; Šustić, Alan; Benes, Jan; Czuczwar, Miroslav; +11 Authors

    SepsEast is an enthusiastic intensivists group initiative launched in 2012, with the aim to facilitate clinical and research activities in the region. Through its actions and with the motto « Together we win, divided we are slow! » several joint research projects in the fields of perioperative medicine, fluid therapy, cardiovascular monitoring and support have been conducted. In the light of the COVID- 19 pandemic, the SepsEast community is aware of its mission and is ready to take the challenge. This is mirrored by several educational, clinical and research activities including the development of a COVID-19 Registry ; and an observational clinical study on cytokine adsorption in COVID-19 patients. The current pandemic should be our lesson on how to manage the global threat of infectious disease and to develop strategies for effective diagnostic and therapeutic procedures. Hopefully, the SepsEast community will contribute to these developments and scientific advances in general.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repository of the Un...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Štrkolec, Miroslav; Baláži, Filip; Vartašová, Anna; Priateľová, Natália;

    Tento zborník vedeckých prác prezentuje príspevky, z medzinárodnej vedeckej konferencie „V. SLOVENSKO-ČESKÉ DNI DAŇOVÉHO PRÁVA: Daňové právo a nové javy v ekonomike", ktorá sa konala v dňoch 5. a 6. júna 2023 v priestoroch Právnickej fakulty Univerzity Pavla Jozefa Šafárika v Košiciach a bol podporený Vedeckou a grantovou agentúrou v rámci projektu APVV-19-0124 „Daňové právo a nové javy v ekonomike (digitálne služby, zdieľaná ekonomika, virtuálne meny)". Jednotlivé príspevky sú zamerané na riešenie aktuálnych otázok daňového práva v kontexte nových javov v ekonomike. Autori sa v príspevkoch venujú najmä digitalizácii a z nej vyplývajúcim výzvam pre daňové právo, najmä špecifickým problémom týkajúcim sa kryptoaktív, digitálnej dane a technológií, no tiež zdieľanej ekonomike a jej daňovým dopadom. Pozornosť je venovaná aj vybraným mimoriadnym opatreniam prijatým vo finančnej oblasti v reakcii na pandémiu COVID-19 a aplikačným problémom, ktoré, vznikli alebo môžu vzniknúť, pri ich realizácii v aplikačnej praxi. Autori sa v príspevkoch venujú problematickým aspektom skúmanej problematiky a vo vzťahu k nim formulujú hodnotiace úsudky, vlastné názory a možné návrhy v rovine de lege ferenda.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Holden, Steinar; Wulfsberg, Fredrik;

    Vi bruker en ISPK-modell til å analysere effekter av pandemien på norsk økonomi og hvilke implikasjoner dette har for penge- og finanspolitikk. Smitteverntiltak og frykt for smitte har gitt en dramatisk nedgang i potensielt BNP som ikke skal motvirkes av øko-nomisk politikk. Penge- eller finanspolitikk bør motvirke andre etterspørsels- og kost-nadssjokk som er utløst av covid-19 og erstatte inntektsbortfall til de som er berørt.

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    Authors: Hangoma, Peter;
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    Authors: Barth, Theodor;

    [WALKABOUT: click file NAVIGATION EXHIBIT] Though the title of this series is #exhibitions, none of the elements in the flyer-series deals with exhibition in plain and non-perturbed sense. The source of perturbation is the Corona/Covid-19 pandemic—evidently—but provides the occasion to investigate forms of collective viewing, in a range of detail that under “normal” circumstances would have been backgrounded/marginal. The forms of display that have emerged during the pandemic, though broadly resonating with the idea and function of exhibits, still have lacked one/more essential features regularly associated with ‘publicness’. Events gathering subaltern crowds–whether in or outdoors–tuned to a range of meanings/phenomena that would readily eschew the public attention under “normal” circumstances. Such as sightings, disappearances, trans local connections, monsters (teratology), ephemeral bodies and books. All of which are articulated from concrete displays in art and design, featuring what has been previously called a ‘learning theatre’. WORKS discussed: #01—Evergreen Corona (directed by Nicolai Fontain) #02—First significant, First Reflection, First Find (print & drawing, Enrique Guadarrama Solis, Galleri Seilduken) #03—Pristine-urban transactions (walk by Theodor Barth) #04—The Peacock Cabinet (Bjørn Jørund Blikstad) #05—Everyday Miniature (video-diary by Katarina Caspersen) #06—Time has fallen asleep in the afternoon sunshine (directed by Mette Edvardsen)

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    Authors: Stub, Trine; Kristoffersen, Agnete Egilsdatter;

    Source at https://nafkam.no/pagaende-forskning-forskeren-forteller/konsekvenser-av-pandemien-alternative-behandlere-og-deres. I mars 2020 bestemte norske myndigheter seg for å stenge ned landet for å hindre spredning av COVID-19 viruset. Denne nedstengingen resulterte i at mange helsearbeidere måtte stenge praksisen eller imøtekomme et krav om to meters avstand mellom pasient og behandler og konsultasjoner på maksimum 15 minutter. Dette gjaldt også de alternative behandlerne. I samarbeid med 35 bransjeorganisasjoner sendte vi ut en spørreundersøkelse til 2215 alternative behandlere ved begynnelsen av pandemien (mars-mai 2020). Vi ville undersøke hvordan deres finansielle situasjon, pasientkonsultasjoner, og synet på fremtiden ble påvirket av pandemien og hvilke råd de gav pasientene sine for å holde seg frisk.

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